"Robots I believe will collect my work. But you don't need to be a robot to enjoy it." ~ George Widener
George Widener, Sunday's Crash, 2005
One of my favourite pieces of classical music, and not just because it caused a riot when played for the first time.
Homage to the master
"The sky above the port was the color of television, tuned to a dead channel." ~ William Gibson, opening sentence of Neuromancer, published in 1984
"The sky was the colour of a dead laptop display, silver-gray and full of rain." ~ Charles Stross, opening sentence of The Bloodline Feud, originally published in 2004
Written for Johnny by Glenn Danzig
Bad luck wind been blowin' at my back I was born to bring trouble to wherever I'm at Got the number 13 tattooed on my neck When the ink starts to itch Then the black will turn to red I was born in the soul of misery Never had me a name They just gave me the number when I was young Gonna find me a preacherman confessin' all I've done Or you can catch me with the devil playing 21 Bad luck wind been blowin' at my back I pray you don't look at me I pray I don't look back I was born in the soul of misery Never had me a name They just gave me the number when I was young Got a long line of hearthache I carry it well The list of lives I've broken Reach from here to hell Bad luck wind been blowin' at my back I was born to bring trouble to wherever I'm at I was born in the soul of misery Never had me a name They just gave me the number when I was young I was born in the soul of misery Never had me a name They just gave me the number when I was young They just gave me the number when I was young

André the Giant holding a 12-US-fluid-ounce can.
At The Quinte Hotel by Al Purdy I am drinking I am drinking yellow flowers in underground sunlight and you can see that I am a sensitive man and I notice that the bartender is a sensitive man so I tell him the beer he draws is half fart and half horse piss and all wonderful yellow flowers But the bartender is not quite so sensitive as I supposed he was the way he looks at me now and does not appreciate my exquisite analogy Over in one corner two guys are quietly making love in the brief prelude to infinity Opposite them a peculiar fight enables the drinkers to lay aside their comic books and watch with interest while I watch with interest a wiry little man slugs another guy then tracks him bleeding into the toliet and slugs him to the floor again with ugly red flowers on the tile three minutes later he roosters over to the table where his drunk friend sits with another friend and slugs both of em ass-over-electric-kettle so I have to walk around on my way for a piss Now I am a sensitive man so I say to him mildly as hell “You shouldn’ta knocked over that good beer with them beautiful flowers in it” So he says “Come on” So I Come On like a rabbit with weak kidneys I guess like a yellow streak charging on flower power I suppose & knock the shit outa him & sit on him (he is just a little guy) and say reprovingly “Violence will get you nowhere this time chum Now you take me I am a sensitive man and would you believe I write poems?” But I could see the doubt in his upside down face in fact in all the faces “What kind of poems?” “Flower poems” “So tell us a poem” I got off the little guy but reluctantly for he was comfortable and told them this poem They crowded around me with tears in their eyes and wrung my hands feelingly for my pockets for it was a heart-warming moment for literature and moved by the demonstrable effect of great Art and the brotherhood of people I remarked “-the poem oughta be worth some beer” It was a mistake in terminology for silence came and it was brought home to me in the tavern that poems will not really buy beer or flowers or a goddam thing and I was sad for I am a sensitive man
The Dead Poet by Al Purdy I was altered in the placenta by the dead brother before me who built a place in the womb knowing I was coming: he wrote words on the walls of flesh painting a woman inside a woman whispering a faint lullaby that sings in my blind heart still The others were lumberjacks backwoods wrestlers and farmers their women were meek and mild nothing of them survives but an image inside an image of a cookstove and the kettle boiling — how else explain myself to myself where does the song come from? Now on my wanderings: at the Alhambra's lyric dazzle where the Moors built stone poems a wan white face peering out — and the shadow in Plato's cave remembers the small dead one — at Samarkand in pale blue light the words came slowly from him — I recall the music of blood on the Street of the Silversmiths Sleep softly spirit of earth as the days and nights join hands when everything becomes one thing wait softly brother but do not expect it to happen that great whoop announcing resurrection expect only a small whisper of birds nesting and green things growing and a brief saying of them and know where the words came from
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