Leonard Cohen, The Future

Albrecht Dürer , The Four Horsemen, from The Apocalypse , 1498

Zdzisław Beksiński , Untitled

Odilon Redon , The Black Sun, 1900

Gregorio Fidanza , Night Fire on the Lake , ~1800

Wilhelm Thöny , New York, Broadway, 1933

Chris Killip , Terraced House and Coal Mine, Castleford, Yorkshire , 1976

Magnus Enckell, Death's Walk, 1896

Conrad Marca-Relli , Warrior, 1956

Léonard Tsuguharu Foujita , At The Cafe, 1949

Carlos Schwabe , Les femmes damnées, Fleurs du Mal , 1900

Jean Delville, The Last Idols, 1931

The Greenhornes, There is An End (feat Holly Golightly)

Endless Boogie, Vibe Killer

Gustave Moreau , Death Offers Crowns to the Winner of the Tournament , 1860

Jean Béraud , Au café, dit l'Absinthe , 1909

The Just by Jorge Luis Borges

A man who cultivates his garden, as Voltaire wished.
He who is grateful for the existence of music.
He who takes pleasure in tracing an etymology.
Two workmen playing, in a café in the South,
   a silent game of chess.
The potter, contemplating a color and a form.
The typographer who sets this page well,
   though it may not please him.
A woman and a man, who read the last tercets
   of a certain canto.
He who strokes a sleeping animal.
He who justifies, or wishes to, a wrong done him.
He who is grateful for the existence of a Stevenson.
He who prefers others to be right.
These people, unaware, are saving the world.

Nick Cave & Warren Ellis, White Elephant

Humanist, Mortal Eyes