The Mask of Anarchy by Percy Bysshe Shelley I As I lay asleep in Italy There came a voice from over the Sea And with great power it forth led me To walk in the visions of Poesy. II I met Murder on the way - He had a mask like Castlereagh - Very smooth he looked, yet grim; Seven blood-hounds followed him: III All were fat; and well they might Be in admirable plight, For one by one, and two by two, He tossed the human hearts to chew Which from his wide cloak he drew. IV Next came Fraud, and he had on, Like Eldon, an ermined gown; His big tears, for he wept well, Turned to mill-stones as they fell. V And the little children, who Round his feet played to and fro, Thinking every tear a gem, Had their brains knocked out by them. VI Clothed with the Bible, as with light, And the shadows of the night, Like Sidmouth, next, Hypocrisy On a crocodile rode by. VII And many more Destructions played In this ghastly masquerade, All disguised, even to the eyes, Like Bishops, lawyers, peers, or spies. VIII Last came Anarchy: he rode On a white horse, splashed with blood; He was pale even to the lips, Like Death in the Apocalypse. IX And he wore a kingly crown; And in his grasp a sceptre shone; On his brow this mark I saw - 'I AM GOD, AND KING, AND LAW!' X With a pace stately and fast, Over English land he passed, Trampling to a mire of blood The adoring multitude, XI And a mighty troop around, With their trampling shook the ground, Waving each a bloody sword, For the service of their Lord. XII And with glorious triumph, they Rode through England proud and gay, Drunk as with intoxication Of the wine of desolation. XIII O'er fields and towns, from sea to sea, Passed the Pageant swift and free, Tearing up, and trampling down; Till they came to London town. XIV And each dweller, panic-stricken, Felt his heart with terror sicken Hearing the tempestuous cry Of the triumph of Anarchy. XV For with pomp to meet him came, Clothed in arms like blood and flame, The hired murderers, who did sing 'Thou art God, and Law, and King. XVI 'We have waited, weak and lone For thy coming, Mighty One! Our purses are empty, our swords are cold, Give us glory, and blood, and gold.' XVII Lawyers and priests, a motley crowd, To the earth their pale brows bowed; Like a bad prayer not over loud Whispering - 'Thou art Law and God.' - XVIII Then all cried with one accord, 'Thou art King, and God and Lord; Anarchy, to thee we bow, Be thy name made holy now!' XIX And Anarchy, the Skeleton, Bowed and grinned to every one, As well as if his education Had cost ten millions to the nation. XX For he knew the Palaces Of our Kings were rightly his; His the sceptre, crown and globe, And the gold-inwoven robe. XXI So he sent his slaves before To seize upon the Bank and Tower, And was proceeding with intent To meet his pensioned Parliament XXII When one fled past, a maniac maid, And her name was Hope, she said: But she looked more like Despair, And she cried out in the air: XXIII 'My father Time is weak and gray With waiting for a better day; See how idiot-like he stands, Fumbling with his palsied hands! XXIV ‘He has had child after child, And the dust of death is piled Over every one but me - Misery, oh, Misery!' XXV Then she lay down in the street, Right before the horses' feet, Expecting, with a patient eye, Murder, Fraud, and Anarchy. XXVI When between her and her foes A mist, a light, an image rose, Small at first, and weak and frail Like the vapour of a vale: XXVII Till as clouds grow on the blast, Like tower-crowned giants striding fast, And glare with lightnings as they fly, And speak in thunder to the sky XXVIII It grew - a Shape arrayed in mail Brighter than the viper's scale, And upborne on wings whose grain Was as the light of sunny rain. XXIX On its helm, seen far away, A planet, like the Morning's, lay; And those plumes its light rained through Like a shower of crimson dew. XXX With step as soft as wind it passed, O'er the heads of men - so fast That they knew the presence there, And looked, - but all was empty air. XXXI As flowers beneath May's footstep waken, As stars from Night's loose hair are shaken, As waves arise when loud winds call, Thoughts sprung where'er that step did fall. XXXII And the prostrate multitude Looked - and ankle-deep in blood, Hope, that maiden most serene, Was walking with a quiet mien: XXXIII And Anarchy, the ghastly birth, Lay dead earth upon the earth; The Horse of Death tameless as wind Fled, and with his hoofs did grind To dust the murderers thronged behind. XXXIV A rushing light of clouds and splendour, A sense awakening and yet tender Was heard and felt - and at its close These words of joy and fear arose XXXV As if their own indignant Earth Which gave the sons of England birth Had felt their blood upon her brow, And shuddering with a mother's throe XXXVI Had turnèd every drop of blood By which her face had been bedewed To an accent unwithstood, - As if her heart had cried aloud: XXXVII 'Men of England, heirs of Glory, Heroes of unwritten story, Nurslings of one mighty Mother, Hopes of her, and one another; XXXVIII 'Rise like Lions after slumber In unvanquishable number, Shake your chains to earth like dew Which in sleep had fallen on you - Ye are many - they are few.’
As I Walked Out One Evening by W. H. Auden As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: "Love has no ending. "I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, "I'll love till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. "The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world." But all the clocks in the city Began to whirr and chime: "O let not Time deceive you, You cannot conquer Time. "In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. "In headaches and in worry Vaguely life leaks away, And Time will have his fancy Tomorrow or today. "Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. "O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. "The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the teacup opens A lane to the land of the dead. "Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. "O look, look in the mirror, O look in your distress; Life remains a blessing Although you cannot bless. "O stand, stand at the window As the tears scald and start; You shall love your crooked neighbor With all your crooked heart." It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.
A Birthday Present by Sylvia Plath What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.
A Ballard of Death by Algernon Charles Swinburne Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve. O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath, Three lovers, each one evil spoken of; O smitten lips wherethrough this voice of mine Came softer with her praise; Abide a little for our lady's love. The kisses of her mouth were more than wine, And more than peace the passage of her days. O Love, thou knowest if she were good to see. O Time, thou shalt not find in any land Till, cast out of thine hand, The sunlight and the moonlight fail from thee, Another woman fashioned like as this. O Sin, thou knowest that all thy shame in her Was made a goodly thing; Yea, she caught Shame and shamed him with her kiss, With her fair kiss, and lips much lovelier Than lips of amorous roses in late spring. By night there stood over against my bed Queen Venus with a hood striped gold and black, Both sides drawn fully back From brows wherein the sad blood failed of red, And temples drained of purple and full of death. Her curled hair had the wave of sea-water And the sea's gold in it. Her eyes were as a dove's that sickeneth. Strewn dust of gold she had shed over her, And pearl and purple and amber on her feet. Upon her raiment of dyed sendaline Were painted all the secret ways of love And covered things thereof, That hold delight as grape-flowers hold their wine; Red mouths of maidens and red feet of doves, And brides that kept within the bride-chamber Their garment of soft shame, And weeping faces of the wearied loves That swoon in sleep and awake wearier, With heat of lips and hair shed out like flame. The tears that through her eyelids fell on me Made mine own bitter where they ran between As blood had fallen therein, She saying; Arise, lift up thine eyes and see If any glad thing be or any good Now the best thing is taken forth of us; Even she to whom all praise Was as one flower in a great multitude, One glorious flower of many and glorious, One day found gracious among many days: Even she whose handmaiden was Love—to whom At kissing times across her stateliest bed Kings bowed themselves and shed Pale wine, and honey with the honeycomb, And spikenard bruised for a burnt-offering; Even she between whose lips the kiss became As fire and frankincense; Whose hair was as gold raiment on a king, Whose eyes were as the morning purged with flame, Whose eyelids as sweet savour issuing thence. Then I beheld, and lo on the other side My lady's likeness crowned and robed and dead. Sweet still, but now not red, Was the shut mouth whereby men lived and died. And sweet, but emptied of the blood's blue shade, The great curled eyelids that withheld her eyes. And sweet, but like spoilt gold, The weight of colour in her tresses weighed. And sweet, but as a vesture with new dyes, The body that was clothed with love of old. Ah! that my tears filled all her woven hair And all the hollow bosom of her gown— Ah! that my tears ran down Even to the place where many kisses were, Even where her parted breast-flowers have place, Even where they are cloven apart—who knows not this? Ah! the flowers cleave apart And their sweet fills the tender interspace; Ah! the leaves grown thereof were things to kiss Ere their fine gold was tarnished at the heart. Ah! in the days when God did good to me, Each part about her was a righteous thing; Her mouth an almsgiving, The glory of her garments charity, The beauty of her bosom a good deed, In the good days when God kept sight of us; Love lay upon her eyes, And on that hair whereof the world takes heed; And all her body was more virtuous Than souls of women fashioned otherwise. Now, ballad, gather poppies in thine hands And sheaves of brier and many rusted sheaves Rain-rotten in rank lands, Waste marigold and late unhappy leaves And grass that fades ere any of it be mown; And when thy bosom is filled full thereof Seek out Death's face ere the light altereth, And say "My master that was thrall to Love Is become thrall to Death." Bow down before him, ballad, sigh and groan. But make no sojourn in thy outgoing; For haply it may be That when thy feet return at evening Death shall come in with thee.
Born this day
On the Heart's Beginning to Cloud the Mind by Robert Frost Something I saw or thought I saw In the desert at midnight in Utah, Looking out of my lower berth At moonlit sky and moonlit earth. The sky had here and there a star; The earth had a single light afar, A flickering, human pathetic light, That was maintained against the night, It seemed to me, by the people there, With a Godforsaken brute despair. It would flutter and fall in half an hour Like the last petal off a flower. But my heart was beginning to cloud my mind. I knew a tale of a better kind. That far light flickers because of trees. The people can burn it as long as they please; And when their interests in it end, They can leave it to someone else to tend. Come back that way a summer hence, I should find it no more no less intense. I pass, but scarcely pass no doubt, When one will say, "Let's put it out." The other without demur agrees. They can keep it burning as long as they please; They can put it out whenever they please. One looks out last from the darkened room At the shiny desert with spots of gloom That might be people and are but cedar, Have no purpose, have no leader, Have never made the first move to assemble, And so are nothing to make her tremble. She can think of places that are not thus Without indulging a "Not for us!" Life is not so sinister-grave. Matter of fact has made them brave. He is husband, she is wife. She fears him not, they fear not life. They know where another light has been, And more than one, to theirs akin, But earlier out for bed tonight, So lost on me in my surface flight. This I saw when waking late, Going by at a railroad rate, Looking through wreaths of engine smoke Far into the lives of other folk.
Karma Repair Kit: Items 1-4 by Richard Brautigan
1. Get enough food to eat,
and eat it.
2. Find a place to sleep where it is quiet,
and sleep there.
3. Reduce intellectual and emotional noise
until you arrive at the silence of yourself,
and listen to it.
4.
Waiting Around To Die By Townes Van Zandt Sometimes I don't know where this dirty road is taking me Sometimes I can't even see the reason why I guess I keep on gamblin', lots of booze and lots of ramblin' It's easier than just a-waitin' 'round to die One-time friends I had a ma, I even had a pa He beat her with a belt once cause she cried She told him to take care of me, she headed down to Tennessee It's easier than just a-waitin' 'round to die I came of age and found a girl in a Tuscaloosa bar She cleaned me out and hit it on the sly I tried to kill the pain, I bought some wine and hopped a train Seemed easier than just a-waitin' 'round to die A friend said he knew where some easy money was We robbed a man and brother did we fly The posse caught up with me, drug me back to Muskogee It's two long years, just a-waitin' 'round to die Now I'm out of prison, I got me a friend at last He don't steal or cheat or drink or lie His name's codeine, he's the nicest thing I've seen Together we're gonna wait around and die
Beasts Bounding Through Time by Bukowski Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoyevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly.
Born this day (2nd from left in the below painting, Verlaine is far left)

Henri Fantin-Latour, By The Table, 1872
Nirvana by Bukowski not much chance, completely cut loose from purpose, he was a young man riding a bus through North Carolina on the way to somewhere and it began to snow and the bus stopped at a little cafe in the hills and the passengers entered. he sat at the counter with the others, he ordered and the food arived. the meal was particularly good and the coffee. the waitress was unlike the women he had known. she was unaffected, there was a natural humor which came from her. the fry cook said crazy things. the dishwasher. in back, laughed, a good clean pleasant laugh. the young man watched the snow through the windows. he wanted to stay in that cafe forever. the curious feeling swam through him that everything was beautiful there, that it would always stay beautiful there. then the bus driver told the passengers that it was time to board. the young man thought, I’ll just sit here, I’ll just stay here. but then he rose and followed the others into the bus. he found his seat and looked at the cafe through the bus window. then the bus moved off, down a curve, downward, out of the hills. the young man looked straight foreward. he heard the other passengers speaking of other things, or they were reading or attempting to sleep. they had not noticed the magic. the young man put his head to one side, closed his eyes, pretended to sleep. there was nothing else to do- just to listen to the sound of the engine, the sound of the tires in the snow.
The Hollow Men by T. S. Eliot
Mistah Kurtz—he dead.
A penny for the Old Guy
I
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar
Shape without form, shade without colour,
Paralysed force, gesture without motion;
Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.
II
Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.
Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—
Not that final meeting
In the twilight kingdom
III
This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.
Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.
IV
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms
In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river
Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.
V
Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom
Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long
Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom
For Thine is
Life is
For Thine is the
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
The Flower Lover by Bukowski in the Valkerie Mountains among the strutting peacocks I found a flower as large as my head and when I reached in to smell it I lost an ear lobe part of my nose one eye and half a pack of cigarettes. I came back the next day to hack the damned thing down but found it so beautiful I killed a peacock instead.
September 1, 1939 by W. H. Auden I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism’s face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; “I will be true to the wife, I’ll concentrate more on my work," And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the deaf, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenceless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
How Is Your Heart? by Bukowski during my worst times on the park benches in the jails or living with whores I always had this certain contentment- I wouldn't call it happiness- it was more of an inner balance that settled for whatever was occuring and it helped in the factories and when relationships went wrong with the girls. it helped through the wars and the hangovers the backalley fights the hospitals. to awaken in a cheap room in a strange city and pull up the shade- this was the craziest kind of contentment and to walk across the floor to an old dresser with a cracked mirror- see myself, ugly, grinning at it all. what matters most is how well you walk through the fire.
RIP André Brink
A Dry White Season by Mongane Wally Serote It is a dry white season dark leaves don’t last, their brief lives dry out and with a broken heart they dive down gently headed for the earth not even bleeding. it is a dry white season brother, only the trees know the pain as they still stand erect dry like steel, their branches dry like wire, indeed, it is a dry white season but seasons come to pass
IN CAMOGLI by Dan Fante It looks like the same ocean but this is Italy - not L.A. Sitting at sunset in a two-hundred-dollar-a day hotel by the sea All expenses paid - no limit on the drinks Reading my shit in rooms full of Fante fanatics where - sadly - everybody now speaks perfect coca-cola and wears Levis and looks like Tom Cruise without the big teeth On this trip I've been a fine success at impersonating a writer my poetry - remarkably - even sounds like me before I lost my muse and became a hopeless moron-hasbeen-talentless-retard fuck with a freight train roaring through my mind chasing a ridiculous lost idea of literary perfection But I warn you I'm like a dented 1985 Ford with a busted radiator, a cracked windshield, and 3 bald tires speeding down the autobahn Don't try to diss me or pass me or call my bluff 'cause - see when I'm cornered I can write like a gin-pissing-raw-meat-dual-carburator-V8-son-of-a-bitch even in Italy
Self-pity by D. H. Lawrence I never saw a wild thing sorry for itself. A small bird will drop frozen dead from a bough without ever having felt sorry for itself.
A Brief for the Defense by Jack Gilbert Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafés and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.
Love Will Tear Us Apart by Ian Curtis When routine bites hard, And ambitions are low, And resentment rides high, But emotions won't grow, And we're changing our ways, Taking different roads. Then love, love will tear us apart again. Love, love will tear us apart again. Why is the bedroom so cold? You've turned away on your side. Is my timing that flawed? Our respect runs so dry. Yet there's still this appeal That we've kept through our lives. But love, love will tear us apart again. Love, love will tear us apart again. You cry out in your sleep, All my failings exposed. And there's a taste in my mouth, As desperation takes hold. Just that something so good Just can't function no more. But love, love will tear us apart again. Love, love will tear us apart again. Love, love will tear us apart again. Love, love will tear us apart again.
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